Barbara Brown and Cynthia O’Brien
Judith Parker, curatorial collaborator
November 8, 2018 to January 9, 2019
Vernissage: Thursday, November 8, 5:30 to 7:30 p.m.
Death Café: Wednesday, November 21, 5:00 to 7:45 p.m. in the exhibition.
Death Café is an opportunity to talk about all aspects of death over a cup of tea, coffee and cake. Seats are limited. RSVP to reserve a place: firstname.lastname@example.org. Information: deathcafe.com or facebook.com/deathcafeottawa
Artists’ tour and catalogue launch: Sunday, December 2, 2:00 p.m.
Curatorial talk: Sunday, January 6, 2:00 p.m.
Events are presented in English at Karsh-Masson Gallery. Admission is free and all are welcome.
Karsh-Masson Gallery Ottawa City Hall, 110 Laurier Avenue West
LifeCycle Conversations is inspired by the theme of memento mori – a reminder of human fragility, mortality and the inevitability of death. In traditional Western painting it is represented symbolically by flowers, fruit and other objects, but here memento mori has been transposed into immersive installations created collaboratively by Barbara Brown and Cynthia O’Brien.
This is the first time that Barbara Brown (photography) and Cynthia O’Brien (clay sculpture) have chosen to work in a collaborative manner – their new works are the fruit of their combined artistic vision. Though the artists work in different media, both employ the changing beauty and delicacy of plants and flowers as a commemorative act and as an observance of transience, loss, memory, decline and rejuvenation in all living things. Brown and O’Brien’s installations also reflect the emotional impact that working as artists in a long-term care residence, where they befriend individuals who are near the end of their lives, has had. Their work reveals profound insights gained from this experience.
– Excerpt from the essay by Judith Parker
Barbara Brown’s recent exhibitions include Red Oak Labyrinth, an outdoor installation in Beyond the Edge: Artists’ Gardens, Experimental Farm, Ottawa, 2014 (Canadensis Botanical Garden Society), and Desire for Acadia, a solo exhibition at David Kaye Gallery, Toronto, 2018 (Contact Photography Festival). Residencies include Kingsbrae International Residence for the Arts, Saint Andrews, NB, 2017; the Art Collaborative Residency, Jaipur, India, 2017; and Alchemy: An Artist-Led Residency, Hillier, ON, 2018. Recent grants include support from the Ontario Arts Council.
Cynthia O’Brien’s clay sculpture is collected by the Taipei County Yingge Ceramics Museum, Taiwan, the Canada Council Art Bank and the City of Ottawa. O’Brien’s recent grants include the Explore and Create Program, Canada Council for the Arts, 2018 and Arts Funding, City of Ottawa, 2015. Residencies include Tanks Arts Centre, Australia, 2012; Watershed, USA, 2013; Ayatana Artists’ Research Program and CPAWS-OV Dumoine River Art Camp, Quebec, 2017; and MASS MoCA, USA, 2018.
Judith Parker is a curator and art historian. Exhibitions include: co-curator, Beyond the Edge: Artists’ Gardens, Experimental Farm, Ottawa, 2014 (Canadensis Botanical Garden Society); two artist-in-residence exhibitions at the Bytown Museum, Michèle Provost – Rebranding Bytown, 2012, and Cindy Stelmackowich – Dearly Departed, 2011; and Freedom of Association: Dennis Tourbin and Other Artists, Ottawa Art Gallery, 2012. Residencies include Elsewhere – Living Museum, North Carolina, USA, 2014. The Ontario Arts Council has supported her work.
The artists gratefully acknowledge the financial support of the Ontario Arts Council.
KARSH-MASSON GALLERY Ottawa City Hall, 110 Laurier Avenue West
613-580-2424 ext. 14167
Open daily 9 a.m. to 8 p.m., including holidays.
Free admission. Wheelchair accessible.